sadar bahar & ben cosmic force team up and come correct with these two direct disco jams artwork by cosmo knex. tipp! the two tracker arose after sadar bahar discovered bens utrecht based studio (housing 60 synths!). electro fiend ben was charmed by the electronic elements in sadars funk and sadar loved bens ideas. nuff said, a new nl based project was born. nothing sampled for these tracks. only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

fiesta to go! if you ever had the chance to dance while c.a. ramirez drives the controls, you know what kind of dj he is. far out, always around, full of soul & passion and driven by one goal: to unite them all.

straight from the ghetto!
dance mania re-release from 1997 with a new hot chicago house remix by south side underground in 2017.
mastered at schatz.mastering.studio
supported by dj deeon & dj krime

daisuke kondo from okayama, japan, releases a 12inch vinyl rongorongo. dynamic rhythm and dubby multi-layered house groove are equipped in side a 1 o-n-ra. side a 2 turn is a dance track that has tribal rhythm and cosmic scale. on the side b, two cool similar versions remixed by a young genius keita sano, which feel raw, are recorded. he is from okayama as well, and has released his works from various labels around the world, such as mister saturday night or crue-l, now attracting a lot of attention. the low sound that sounds like it is boosting speakers feels comfortable. this is a special single produced by two youngsters from the same town.

mood 24 returns with the mood series various artists. for this installment we have 4 special tracks each one to suit different styles and tastes. first up we have nima gorji with his contraction track. a groovy minimal track, repetitive but at same time brings you along through a little journey on the dance floor. dragutesku gives us a deep and dark track with special little sounds here and there to bring suspense and anticipation to this wicked track. negru has a more solid house style. 808 drums, sick sub bass and a jazz melodies. petar cvetkovic gives us some more tech house orientated sounds, simplistic drums, groovy rolling percs and a sick vox to wrap things up nicely.

physical therapy assembles a flurry of kicks and thick breaks around deep subs and tender harmonies. lush moments are balanced with saturated rhythms, pushing the momentum in each tune. spoken words skip over dubbed out synths on more sugar, always a euphoric treat on the dance floor! on the b-side, pt flexes for the verdant tropical techno of string thing. play at 45 for the desensitized mix or slow things down to 33 for a balearic sensitized mix. both mixes available direct from the sounds of beaubien ouest bandcamp.

second release from the label offers up broken rhythms, jacking grooves and deep spirituals. hold me explores lyricism within tight repetitious rhythm, on which saxophonist tyrone isaac-stuart explores hook lines and story telling whilst bassist jordan christo maintains control over the low-end spectrum. that he man of hers melds jacking, upbeat tempo with romanticism and melancholy on top, with louis ktisti providing guitar accompaniment. one s own permanent faith, on the other hand, provides for a moodier and more subdued spiritual dance rhythm, which warms one up before the spiritual explorations in would you tell me about you. in this final track, the guitar rhythms provided by jabriel alsuhaimi and spiritual exorcism of the saxophone by tyrone isaac-stuart present a different angle in the approach towards discovering the endless groove.

local action and nts radio’s finn launches his new label, 2 b real, with a 12- of fast-paced, no-nonsense club tracks. finn first appeared in 2014 with ‘keep calling’ - an instant classic and one of the year’s best-received releases, played relentlessly by kode9, dj q, murlo, eclair fifi, scratcha dva and more. since then he’s developed a cult following as a dj, with a palette of regional us club styles, classic house and techno, grime & freestyle electro beyond his years - broadcast through his monthly nts show and his regular b2b podcasts, where he goes track for track with a dj he admires (such as uniiqu3, teki latex and conor thomas). 2 be real is finn’s new home for dance tracks high in thrills and low on bullshit. on 2br001, he draws on classic ghettotech for the melodic keys and urgent 909s of ‘late at night’ (with a more uk-indebted darkside mix on the flip), and teams up with resident swing ting mc fox for ‘lightwork’, a vocal cut inspired by detroit’s own legacy of hip house and ‘chant’ records.

popof’s illustrious label form music is set to release a special vinyl only compilation showcasing some of the imprint’s most exciting artists entitled, ‘reformers’.
since its formation in 2009, form music has rapidly established itself as one of the most innovative and ambitious dance labels, working alongside both established and new artists including julian jeweil, sébastien léger, animal & me, mendo, philip bader, petar dundov, dj fronter and jay lumen as well as the label’s head honcho himself, popof.
kicking the four track package off is popof’s sublime rework of julian jeweil’s acclaimed dancefloor destroyer ‘chrome’, which is perfectly followed by the pounding drum-and-bass-tinged-techno workout ‘shadow tactics’, created by slovenia’s pioneering dj/producer umek.
julian jeweil’s ‘midi’ continues the release, seeing the talented frenchman utilising synths with real expertise and blending electronic nuances with melodic percussive elements to bring us nicely on to the compilation’s closing track, the deep and trippy tech house gem ‘slush fund’ by berlin-based simina grigoriu.

daywalker & cf follow-up 2015 s shimmer and supersonic transport with more cosmic synth noodling and a club ready tune on bank records. entro senestre and willie burns always manage to hold together musical continuity while aimlessly jamming in burns smoky studio. it is their forte. with that being said, their style is not genre specific. one thing is for sure, the music is going to be trippy and synth driven. the title track wave force is a driving dance track built for big rooms, reminiscent of supersonic transport. the b-side features the producers implementing freaky synth lines and spacey sound effects on rhythm wolf. the final track, between worlds is somber. the track welcomes the occasional misplayed note along with sappy synth riffs. another solid release by daywalker & cf. cover photo by florian kupfer.

reda dare comes back with his own brand new imprint, reda dare records. for this ep, he decided to press three of his smoothest tunes. the wax’s a-side is the one and only ‘albadare’, representing his classic strict groovy mindset and bouncy harmonies. then comes ‘orgy of the dead’ an old school hip-hop inspired house track, with a heavy bassline and a festive rhythm. finally, the vinyl ends with ‘x’ a spookier vibe that’s perfect to set the dance floor back on track. this limited issue is a collection of reda dare’s finest over the years, don’t miss out ,)

!! ltd repress !! metereze follows its karmic path of delivering stomping dance floor oriented cuts, this time with the help of john dimas, expressed into the telexistence ep. working both as access keys as well as soul transporters, the 4 tracks are a peek into an alternate reality, where room filling baselines go as mood uplifters along with the textured chords that submerge the crowd into the deep waters of dreamy house music.

biotop proudly welcomes the spanish master of machines, eduardo de la calle, for his debut biotop ep. eduardo is well known for his countless analog releases on labels such as cadenza, mule musiq, be as one, planet rhythm, mental groove, and his own delicious imprint, analog solutions, to mention just a few. biotop boss patrick zigon is a big fan of de la calle s music from the early days, so he s honored to extend the biotop family with this exceptional artist. -hyde numbers- is a typical de la calle ep featuring multilayered masterpieces built on eduardo s unique analog studio rig. the first two tracks, -hyde number 1.34.- and -hyde number 8.47.- are uncompromising driving techno tracks built on hypnotic chords and roaring synths with rousing snares and effects, ready to destroy the dance floors of dark techno clubs worldwide

paper recording are back on vinyl with a fantastic debut 12- from italian duo soundersons, who have come up through the underground bologna house scene. can t get enough is a deep electro-funk slice of nu disco with diana g on vocals. it s got 80s synths and squelches, vocal hooks a plenty, clonking percussion, rhodes and that metro area / tom tom club vibe. parts i and ii are split in to vocal and instrumental over one side on continuous play for maximum dance floor action. on the flip, the mighty dj spinna brings his a game with a deep nyc take that is underground house at it s best. he uses synths, arps and the vocal to slowly build the remix that hits it s peak at the end. finally education finished things off with a raw disco cut up that hits the floor running and keeps going full pelt. one for the dancers.

having made himself an indispensable member of the uk soul/funk scene, playing live performances of ‘zoology’ to much acclaim, as well as setting up a regular groove night at london’s 606 jazz club, carl has recently finished work on his second album - pixel planet, which tells the story of an alien spacecraft, exploring our solar system, 30.000 years into the future - looking for the last bastion of human activity long after we have departed. this dystopian tale is told using a huge array of cosmic electronics, many of which were soldered together by carl himself, including his own diy synthesiser - the recyclotron 64 - constructed out of commodore 64 chips and built in an mdf box, and providing some of the monster bass lines on this album. as well as calling in the digisoul gang, some new friends appear on this album, including powerhouse drummers pete ray biggin, and ‘jungle’ jimmy norden.

berlin’s resident electroid funkmeister vertical67 is the latest release from the magic waves label with a 4 track ep of ‘positive vibes’ to get your summer into gear with. vocodered electro builder ‘clacid’ opens proceedings before we’re hit with the summery anthemic and futuristic italo sounds of ‘back in the groove’, while on the flip ‘let’s dance’ continues that feeling before we’re whisked off ‘into the night’ with the closing track in pure aquatic detroit styled bliss. copies are limited and pressed on stunning transparent red vinyl!

2x12 inch lp, 180g vinyl, cut at 45rpm, with printed deluxe sleeve by designers republic.
on millions, olsson effortlessly spans genres including dance, indie, pop and more in-between. opener hold on - a collaboration with the sharp tongue of sweden’s mapei - leads with a classic hip-hop beat before breaking into a danceable indie swagger, and has already seen olsson achieve high profile acclaim from the likes of zane lowe, noisey and more. elsewhere on tracks such as this heat and satellite (only analog talks), olsson channels a 90s rave influence while also delivering a gnarled brit indie rock bite, which plays like the tripped-out love child of kasabian and jungle.

best works records label-owner andré lodemann is back with a new long-awaited ep on his imprint. it is the 20th release on the label. for this “birth” ep andré personally enlisted non-other than swiss duo adriatique for their remix skills aswell as new-comer producer fabian dikof. andré’s track “birth” creates contrasts using african-drumming inspired styles paired with techy-beat pro-gramming. starting more on a minimal tip the track works its self up to high-tension climaxing with an emotional break keeping the deeper moments intact. adriatique created a faster more club-orientated ver-sion paring the more hooky parts of the original with beat-sythn elements giving the track a more tribal feel. the second remix featured here come’s via fabian dikof the second main artist on best works records. it s great to have him remix andré lodemann at last presenting his masterful skills. fabian took a different path in his remix working more on the melodic hook but also creating a warm bass-laden soundscape that loves the dance-floor in its own right.

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

inflicted releases #003, 011 & 016 all bundled up for one special price!

nice price deal !!! the flatmate ghost ep takes the classic tech house aesthetic on a laid back, rolling journey, while two distinctly dissimilar remixes open your eyes and ears further. title track flatmate ghost quickly lures you into a subtly relaxing beat but as soon as youre locked, dissonant synth bursts and ominous, pitched down vocal meanderings immediately disrupt the dance. while kellerkinds take on the original brings forth a shoulder swinging groove, soothing piano riffs and clever silences. andres zaccos version moves with relentless percussion, delving into the hollow depths of dark bass. quality time offers the more sensual side of soukie & windishs production. here, otherworldly harmony prevails while the characteristic jarring stabs take a backseat. soukie & windish manage to visit opposite ends of the spectrum without losing the unique creative resonance the pair found in this collaboration.

first ep of zelaian disco club created by the sheitan brothers. based on arabic and maloya inspiration, this first ep of the brotherhood is a gift to a tribal dance floor mixing traditional music and electronic beats.

sunken rock recordings is back in the building with the first ever solo release by the mysteryman doc jay. five cuts that take you on a journey into jays world of oddball, fragmented dance music straight from the archipelago of stockholm, presented in a 4 color (!) screenprinted sleeve with artwork from the the man himself.

production duo computa games take the most slamming synth bass, the crispest drum machine hits, and overall classic vibes of 80’s dance-funk tunes to new heights. each individual tune on the ep pairs with a unique vocalist or collaborator, as the project features guests lovechild, b bravo, jackie rain, natalita, and e. live !

repress!!! frame of mind is a new venture initiated by gerd: a label that focuses on re-issuing rare and sought-after tracks as well as on releasing new music. first up we serve you this official re-release of nature boys classic ruff disco volume one. this highly in demand double pack goes for mad money on the second hand market, so after 25 years, a beautifully remastered edition is finally here. nature boys sound is best described as a rough combination of disco infected grooves with raw and hard hitting rhythms. tracks such as the livingroove, ha ha, trackin and of course tobago caused bliss and mayhem on dance floors world wide and brought joy to thousands and thousands of dancers, djs and music collectors all over the globe. this lp displays a fine mixture between house, disco and sometimes even dub/reggae. to this day ruff disco volume one is a timeless work of art.

saine & smith consists of jaja saine and leo smith. two talented djs/producers from stockholm. both are diaspora kids - jaja saine s background is in west africa and leo s in barbados. so their debut release is a kind of heritage reflection, with twisted elements of decadent scandinavian dance music, which echoes generally in their sound. a. lord vanlig - inspired from afro-caribbean traditional folk music from the 60s. a melodramatic blend of cheer and sorrow. with capturing and repetitive drums combined with a compact kick and sweet overlay of melodious keys and child laughter. b. sir viktig – a deep house banger with haunting ghost like pads, catchy afrobeat samples and vocal snippets.

after the release of his beautifully put together album ‘shining the money ball’ via vancouver’s 1080p earlier last year (which will see a limited vinyl release on lo recordings later this year), as well as having music released through 100% silk, body-san joins the lo family with ‘pacific reasons ep’. having been a part of the new wave of house music to emerge over the past few years from the west coast of america and canada, body-san delivers music with a rich sense of depth, emotive precision and concise instrumentation throughout. brandon knocke (in his own apt description) offers three ‘coastal burners’ through ‘pacific reasons’, with the addition of the majestic interlude ‘liquid entrance’. ‘topaz chalice’ sets us off with the sunset, created through comforting yet strangely ominous chords and vocal melody lines. the track slowly evolves with small percussive flurries, beautiful chord and melody progressions and a smooth, sliding bass line. as pleasant and calming as ‘topaz chalice’ is, we still feel the full force of knocke’s thumping kick, making it as viable for the dance as it is for the cans...

black vinyl !! new eight track compilation for the tenth release on the delsin cameron series. taking in stronghold names as claro intelecto and vril, as well as former contributors to the series shlomo, artefakt and gunnar haslam. as has been the mission for the series before, theres eye for new talent too - in the names of recent delsin newcomer sentomea, the invariants and cameron. all contributors look beyond the dance floor to offer a mixture of moody and atmospheric sounds, which has resulted in a collection that covers so much stylistic ground.

brooklyn based 369 records returns with its second release, a split 12 featuring artist co la and jeremy hyman. a side is laced with the freaky self extended edit of co la s -barricade-. this track sculpts sound into a club ready fast pace tune sure to leave people intrigued and begging for more. on the b side jeremy hyman introduces a hypnotic melody unlike many you have heard before. building on this melody it slaps you with the clap, and beats you with the bass. dance floor tested , this release is not your average twelve inch. both co la and jeremy hyman have a rich discography and sick pedigree before their solo careers. co la aka matthew papich played in ecstatic sunshine ( carpark records) before starting his solo project co la (software records, primary information) , and also a key contributor to lifted (pan records) jeremy hyman is a rare breed. a classically trained drummer who has played for more legendary bands than one can name (ponytail, dan deacon boredoms, animal collective, lifted) . he has recently started a wild independent self titled electronic solo career. he has already released tracks on future times records

public release’s lucky thirteen and second release of 2017 is by another kindred spirit newcomer to the label, earth boys, a brooklyn-based duo that’s all dreamy keys, soft pads, peace frogs, throwback vibes, and deftly futuristic house rhythms, though not necessarily in that order. with trail mix, mike sherburn and julian duron have built four gloriously friendly, oddball house cuts— cheeky, choppy vocal samples juxtaposed against schmaltzy piano licks and punchy tribal rhythms rubbing against smooth bass figurations. their ironic sense of humor intersects with precisely crafted productions in a way that underscores both, making the ep a brilliant concoction of bouncy, energetic dance music that teases the genre as much as it revels in it. if that messes with your head, just shut down your left brain, drop the needle, take a big ol’ rip, and see where a microdose of earth boys will take you.

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

cosmic bridge records blazes new pathways in its growing catalogue by welcoming margari’s kid to the family, the alias of josé maría moya sánchez — a spanish producer based in cadiz. inspired by british dance culture, sanchez first began writing his own tracks in 2012 and says he uses music primarily as therapy with a preference towards “broken rhythms, depth, and message.” the init 1 ep is a riveting slice of 170bpm seekers music, a developed and adult sound that brings to mind burial and kid drama and marks margari’s kid first physical release.

félicia atkinson new full length album, ‘hand in hand’ is an expanded development of her musical compositions started with the highly-acclaimed “a readymade ceremony” released on shelter press in 2015, and follows her collaborative effort with jefre cantu-ledesma “comme un seul narcisse” (shelter press, 2016).

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

the days are longer and lighter already and that can only mean one thing. summer is on its way… lee burridge and lost desert return with sunshine days in mind on their ‘loopyness’ ep. an apt description indeed for the title track. its infectious groove rolls forward, making you want to get up and wiggle your hips, this track has funk. a live guitar lifts the track halfway through, as stuttered vocals and string-like synth lines take you away to other worlds. over on the other side of the vinyl (or track two for digital fans) is ‘botanic’. another summer daze, groovy, light and airy with a slinky fat bassline and a warm breakdown. music to close your eyes and drift away to, this track has been a firm favourite on all day i dream dance floors since last summer. the ep comes to a close with ‘12cc’ featuring junior. a dubbier groove underpins the whole affair while glass-like melodies and laid back synths sway back and forth. it’s a patient groover that rewards those who take the ride.

nice price deal !!! unique compilation of house, minimal and techno combined with futuristic dance elements make this to a solid techhouse 3 track ep incl lopazz remix

the mighty mystic bill, a true us house legend though somehow criminally underrated. those who know, know. his records have long had a mythical status among the diggers, with dj s who delve that little bit deeper weaving his sounds into their sets. having released on numerous labels including relief, trax, classic and more bill has cemented his rep as an artist that has his own vibe and sound. bill s music exists in that space where the late night meets the earliest morning, sweaty, dark dance-floors and stripped back, jacking tracks are the order of the day... proper, real deal house music. mystic files covers the period of 1989 - 1995 and showcases some of bill s various styles, originally released on trax in 1995 this timely reissue shines a light on an artists who definitely deserves more props! this release has long been a tough one to catch with second hand copies sometimes fetching healthy prices online and collectors clamouring to harness some of bill s magic... this will be right up your alley if you re a fan of ron hardy, relief / cajual, steve poindexter, armando and everything in between! sleeping not advised!

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

tom diccico makes his debut with dred records after his acclaimed release on delsin. offering a feast of thunderous, dubbed out, machine funk cuts aimed at the higher planes of dance music. including a raw ratteling remix by john osborn of toms unreleased track particle fever

dred records is the new imprint from john osborn. after co-running tanstaafl with october for 5 years john is now focusing his solo a&r efforts with dred records. dred takes the fundamental principles of dance music that was laid down in the late 80s & early 90s, fusing them together with modern producers of today. a record label concentrating on sonic sci-fi visions of the future without loosing the roots of dance. the first release features two heavy hitting club tracks by s:vt aka sven von thuelen with a killer remix by john osborn. made with love in berlin & mastered at man made mastering, 2017.

memento records honcho idriss d is back on his own dib sublabel with * khomsa* a 3 tracks banger with a steady pace and a fresh sound, blending together house chords and rhythms with techno bleeps and structures. “khomsa” is a peak time dance floor anthem focused slowly built up by shuffled grooves and bouncing synthesised drums. “watching my self” is darker, faster and relentless, while “stability” is a fine crafted esoteric percussive trave into outer space

now the dust has settled after louf’s debut, we have an emotionally driven release from tom vr on valby rotary. ‘hear me out’ is a deep club track that builds an atmosphere of both heart warmth and heart break. it boasts eerie vocal samples, raspy chords and coarse punching drums, making it energetic yet still suitable for the sensitive euphoria of the dance floor. the b side ‘indigo’ is a pulsating soundscape of longing & tension that eventually erupts with an uplifting finale of acid and the splash of ride cymbals.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

nice price deal !!! the next instalment on simon baker s own label infant records brings you this infectious track remixed by one of the hottest producer/remixers around right now paul woolford. it follows in line from the success of the previous releases on this new imprint label. expected to be huge on dance floors worldwide, the paul woolford remix rides around a kick arse bass hook that literally gets you hooked from the word go. plays zabiela/ satoshi tomiie / tiefschwarz / tiga…

mechanisms industries re-emerges from the tape studio to welcome the return of hunt patterns with 3 tracks of pure dark, gritty analog techno. lots of mechanical sequences for maximum peak time dance floor performance.
pressing on solid white vinyl.

our beloved record label analog solutions presents this time to v / a, signed by kristina and orbe and where eduardo de la calle label owner add as well a special detroitish techno soul tool on side b2. it’s been several months since the last vinyl release of the record label, but it certainly strike back again with a sonic quantum force! dropping the catalog reference number 019 which is full of usefull and mesmerized ideas dj tools for worldwide djs that deserve it! it would be nice to pay attention to this great job that will be available only in vinyl format for the first few weeks. pure - shake that ass science - on 12” ... special design for the dance floor ... don’t let it go!

nice price deal !!! basti grub remix / volkan joins the jungle of suburbia! it strikes you hard and you remember it! the big v for volkan is played by ricardo villalobos, luciano, karotte, vera, kabale und liebe, matthias tanzmann... finest minimal dance music

some say that soul music is making a comeback, but for these two funk-soul brothers it really never went away. here we have two great workouts of classic covers that show love & respect for the originals while steering them directly at the dance-floor. you’ll know these tunes, but not like this!

originally released in 1978 on greg charmichaels red greg records, ‘lady bug’ and -love bug- are probably bumblebee unlimited s most recognizable hits. now repressed on the get on down label ... with an undeniable groove, signature keys and arrangements by patrick adams in addition to the comically sped-up vocals, lady bug is considered by many to be one of the most important underground tracks of the disco era. as with the original -lady bug- 12- single, the john morales and frank trimarco -sunshine sound- mix takes the a-side of the rca release. a true disco version in every sense of the word, this almost 10 minute mix brings out the latin percussions to the front making it a true dance floor classic and establishing john morales as one of the best remixers in the industry. the b-side belongs to one of new york city s hottest djs at the time: larry levan. despite being a very early remix by the legendary paradise garage dj, the talent was evident and his understanding of a club mix in wide display. it’s no wonder larry levan would go to become one of the most respected and revered remixers of his generation.